I’m very happy to share that my manuscript Mother Tongue was selected as a finalist in the 2027 spring chapbook contest by Quillkeeper Press.
This collection means a lot to me, so it was especially moving to receive this response from the judges:
We loved the way Mother Tongue explores the stories, silences, and memories passed from one generation to the next. Through language, family heirlooms, familiar songs, and everyday gestures, these poems reveal how deeply our histories shape us, even when words fail. We were expecially moved by how you hold space for grief while illuminating the quiet, enduring ways love and memory live on in those who come after.
To celebrate, I wanted to share two poems from the collection, “Mother Tongue” and “The Sewing Box”.

Mother Tongue
My mother worried that my grandmother was lonely in the modular home she moved to to be closer to us after my grandfather died. Every morning she would pin her grey hair up in neat curls on top of her head. Take her black handbag and grey overcoat but with nowhere to go. We took her to a meeting at the senior centre so she might meet someone there. She ironed her blouse twice before leaving. They were singing psalms as my mother led her in. Her pale cheeks flushed red. At the intermission with watered down coffee and too-dry biscuits under fluorescent lights a woman walked up and reached out her hand. “Your accent is lovely. Where are you from?” “Stockholm” she said. The woman tilted her head. “No, I mean originally.” My grandmother stirred her coffee twice, didn’t speak. On the drive home my gran cursed at her daughter for even getting the idea of bringing her there. Pointing fingers with her tiny, wrinkled hand. Reaching up, spit pooling at the corners of her mouth. I’d never seen her so angry in my life.
The Sewing Box
My grandmother kept her sewing things
in a box my grandfather made for her.
He polished the wood until it shone,
then painted roses and vines across the lid.
Her initials in looping letters.
It looked like a caress.
My mother kept it
after my grandmother died.
It still stands on the floor
in my childhood room.
The roses haven’t faded.
I wanted to write a collection about my grandmother, my mother, and me. About what we carry from one generation to the next. The impact of moving from Finland to Sweden, where people spoke the same language, but somehow still didn’t.
Grief, but also love and endurance.
These poems have been with me for a long time, so having them recognised in this way means a lot to me.
I’m very happy to share these two poems with you.
Until next time,
Jonna

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